THE PLACE OF FOUNDRY ART IN THE TRADITION OF STORYTELLING

Abstract

The article analyzes the place of the art of improvisation in the speech tradition of the Kyrgyz. Firstly, the genesis and evolution of the term in the name of the announcer is analyzed, and it is said that for the first time it arose on behalf of the singer. After that, the meaning, function and nature of the names of singers and poets are analyzed, and the names are further divided into folk, handwritten and fairy-tale singers, which are found among most peoples of the world. A brief analysis is also given of what exactly the art of improvisation creates the creative unity of singers and speakers, as well as the levels of talent of singers. The questions are also analyzed whether the epic heritage is the basis for the formation of foundry art or, conversely, foundry is the main priority for creating their own variants and versions of the epic heritage.